Catalog Search Results
61) Detecting Clues
Publisher
The Great Courses
Language
English
Description
The clue is so imperative to the successful mystery story that there are few elements more subject to rules and regulations. Yet for all the requirements around how, when, and why to present clues, this narrative element is highly subjective. In this lecture, you’ll learn how clues are used to help, hinder, mislead, and solve mysteries, for both the characters and the audience.
Publisher
The Great Courses
Language
English
Description
Professor Cognard-Black introduces you to artistic proofs, which are grounded in your expertise and colored by your own observations and experiences. The most important artistic proof in any essay is ethos—the writer’s ethical appeal or credibility. She demonstrates how to effectively use ethos along with logos or rationality to bring reasonableness into your essays, which vital to writing effectively. You’ll examine the work of a pair of writers...
63) Nordic Noir
Publisher
The Great Courses
Language
English
Description
The last decade has seen Nordic noir enter the American mainstream, though they have been popular in their homeland for half a century. Professor Schmid takes you through this progressive form of mystery and suspense fiction, showing how many examples of Nordic noir provided a socially conscious look at powerful themes such as complicity with the Nazis, racism, misogyny, corruption, and class.
Publisher
The Great Courses
Language
English
Description
While first-person narration is an effective way to tell a story, third-person narration offers a wonderful range and flexibility, and allows you to dive just as deeply into your characters' heads - if not more deeply - than the first-person perspective. Survey the spectrum of third-person voices, from the objective and external to the interior stream of consciousness.
Publisher
The Great Courses
Language
English
Description
An “arena of conflict" is where your lead realizes he or she needs to overcome a challenge. Mr. Bell introduces you to the concept of a “mirror moment” and provides examples of authors who have demonstrated this technique, such as Margaret Mitchell, Suzanne Collins, Mario Puzo, Harper Lee, Thomas Harris, and Dashiell Hammett.
Publisher
The Great Courses
Language
English
Description
Much like the setting and the character, the use or lack of violence, and the amount and intensity depicted, can provide more clarity into the mystery you’re trying to solve. And, much like the guidelines about using clues in suspense writing, there are so many exceptions to the rules of using violence that the rules themselves may need to be called into question.
Publisher
The Great Courses
Language
English
Description
Dr. Harvey introduces you to a Norse tale called "East of the Sun, West of the Moon." This story introduces us to the theme of transformation - a theme that is both scary and exciting, and is a common in folktales to help us understand how we grow and change, and to teach the lesson that looks can be deceiving.
Publisher
The Great Courses
Language
English
Description
Once you have perfected the components already reviewed - a detective, a criminal, clues, and potentially a sidekick - all that remains is solving the mystery. But as you’ll learn in this lecture, it’s never that simple. Learn what makes for the perfect “big reveal” and why you don’t necessarily need one. See how open-ended mysteries walk the line between frustrating and compelling.
Publisher
The Great Courses
Language
English
Description
From complicated clients to lusty love interests, from sprightly sidekick to detail-oriented detectives, women have always played a role in mystery and suspense fiction. Professor Schmid introduces you to female detectives in literature through time and examines how even at the earliest stages, the figure of the female detective assumed a wide variety of types to appeal to different audiences.
Publisher
The Great Courses
Language
English
Description
Get helpful tips for a revision schedule, learn why you need to take a cool-off period before taking a first pass, gain tricks for helping you re-read with fresh eyes, and use shortcuts for marking places you need to come back to so you can read straight through. Mr. Bell also provides excellent advice about using outside readers, both professionals and “beta readers.
Publisher
The Great Courses
Language
English
Description
Great mystery and suspense writers have created some of the most unforgettable stories in all of literature and they continue to grow in popularity. How did the genre become so prevalent? Why is it a go-to for so many readers around the world? What makes the dark and sometimes grisly themes appealing? Professor David Schmid examines these questions and more in this illuminating course.
Publisher
The Great Courses
Language
English
Description
The modern form of the essay may be seen daily in blogs, although not all blogs are essays—instead, many are no more than personal journals, rants, or fantasies without broader connections and appeals. Professor Cognard-Black provides examples of what components are required for a piece to be a fully formed blog essay. While looking at examples from her students and professional writers, including long-term essay blogger Robin Bates, you’ll discover...
Publisher
Monterey Media, Inc
Language
English
Description
Imagine having written thirty-eight plays…being an actor who became the most popular playwright of his time…and who’s legacy was to become the most enduring playwright of all time. Imagine writing something some four hundred years ago, and having us stand here in a theatre today still exploring, enjoying, and marveling at those golden words? Join our troupe of actors in various stages of rehearsal, presenting some of the bard’s most poignant...
Publisher
The Great Courses
Language
English
Description
Mr. Bell introduces the five functions of dialogue and breaks down the importance of vocabulary, syntax, and specifics like regionalism to help build the character. Examine examples from Margaret Mitchell, John Howard Lawson, Charles Webb, and others. Explore the importance of subtext, or what is underneath the words, and how it can suggest secrets, fears, memories, yearnings, or hopes.
Publisher
The Great Courses
Language
English
Description
From the Greek “lyre,” a lyric poem expresses a writer’s thoughts and feelings through the intimacy of the first-person narrator, evoking a strong emotional reaction in the audience. Professor Cognard-Black demonstrates the similarities between a lyric poem and a lyric essay and shares a moving example of a lyric piece written by one of her own students that uses memory fragments and figurative language to synthesize experience into a kind of...
76) A Children’s Guide to Folklore and Wonder Tales: Episode 6,Cinderella II: Baba Yaga and Goddesses
Publisher
The Great Courses
Language
English
Description
With the French and Italian versions of "Cinderella," Dr. Harvey presented a classic "rise" tale, but "Cinderella" is the one of the world's oldest "magic tales" with many versions, interpretations, and morals. Vasilisa the Fair" follows the traditional "Cinderella" story, but with many twists and offers the idea that there can be ambiguity in folklore characters.
77) Humor Essays
Publisher
The Great Courses
Language
English
Description
One of the most surprising insights into humor essays is the revelation that most humor comes from misfortune. This idea has been around for centuries, as even Aristotle noted that laughing at tragedy is cathartic for both the writer and the audience. You’ll delve into how self-deprecating humor lends itself to creating ethos or credibility in this particular form of essay. Professor Cognard-Black provides a treasure trove of humorists to study,...
Publisher
The Great Courses
Language
English
Description
Great Utopian and Dystopian Works of Literature plunges you into the history and development of utopian ideas and their dystopian counterparts. You’ll encounter some of the most powerful and influential texts in this genre as you travel centuries into the past and thousands of years into the future, through worlds that are beautiful, laughable, terrifying, and always thought-provoking.
Publisher
The Great Courses
Language
English
Description
The non-fiction world is also broken into categories including memoir, education, creative or narrative non-fiction, and practical or self-help. Delve into the various genres of non-fiction writing, and learn how to determine which publishing house best aligns with your non-fiction manuscript..
Publisher
The Great Courses
Language
English
Description
Every narrative has a tempo. Some stories are short, while others are long. Some move at breakneck speed, while others linger over every detail. Discover how to strike the right balance between length and time (the pacing), between length and detail (the density), and between scene and summary.
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